Joined in 2023 
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The rooms feel comfortable to work in, and sound great. We’ve taken a lot of care with the decor and lighting, and the space is really conducive to working creatively and efficiently. What are some of the biggest challenges you have faced in recent years? In practice, you will usually either expressly agree in advance to our use of your personal information for marketing purposes, or we will provide you with an opportunity to opt out of the use of your personal information for marketing purposes.
At a time when so many other London studios were closing down, we wanted to build somewhere that offered uncompromising quality and facilities, but with traditional values and a unique, creative vibe, all at an affordable price. And it’s not just for singing either — these portable booths also work great for voice acting, narration, podcasts or really anything that involves voice (or even acoustic instruments too), and can be taken anywhere you need to record. Here are the best portable recording booths, some of which include panels and other accessories to set up your remote studio. 1. Snap Studio Voice Booth Funky Junk’s Mark [Thompson] already had a great collection of some of the best vintage gear imaginable, and we wanted to give it a home in a space that was accessible and within people’s (rapidly shrinking!) budgets. Information that we collect may be transferred to the following countries which do not have data protection laws equivalent to those in force in the European Economic Area: the United States of America, Russia, Japan, China, and India. Whilst it’s nothing overly elaborate, my setup contains a few choice pieces of gear that I know very well. I have built a comfortable space with a Primacoustic acoustic kit, and bought some decent solid speaker stands. It goes without saying but it’s really important to focus on getting your monitoring right before you even consider anything else. That doesn’t mean it has to be perfect, but making the mixing environment as flat as practically possible within budget and space is essential.
4. LyxPro VRI-50 Mic Shield Bundle
We use ATC SCM25 monitors, alongside NS10’s and Eastlake JM3T’s which are all fed by a Grace Designs monitor controller, which is incredibly transparent and also has excellent headphone amps. That’s how Snap Studio was born. In fact, that same album recording project that inspired the earliest version of Snap Studio took me all the way to the GRAMMY Awards Red Carpet. With the right tools and inspiration, the sky is the limit!
We may disclose your personal information to any of our employees, officers, insurers, professional advisers, agents, suppliers, or subcontractors as reasonably necessary for the purposes set out in this policy.We have a gorgeous Bosendorfer 225 grand piano, plus Fender Rhodes, Wurlitzer, Hammond C3 and some nice vintage synths. Also a few great drum kits like our 80s Sonorlite and 1971 Ludwig Super Classic. I think plugins have got so ridiculously good these days and there are some fantastic ones out there. I always used to say that my favourite plugin was Pro Tools 7 band EQ, but that’s now been replaced by the FabFilter Pro-Q3. I think it’s probably my most used plugin. It’s just incredible what you can do with it. I find it so musical and dynamic - it’s essential for me these days. Before you disclose to us the personal information of another person, you must obtain that person’s consent to both the disclosure and the processing of that personal information in accordance with this policy Needless to say, the outbreak of Coronavirus has had a devastating effect across the industry, and the creative sector has arguably been one of the hardest hit; the ramifications of which have forced artists to perform from home, driven engineers to adapt to remote solutions and, for those businesses less fortunate - forced them to cease operating altogether. Whilst this is an undoubtedly unnerving time, one of the saving graces for many of us is the accessibility to professional recording equipment in the home environment. We sat down with Marco to discuss how he manages to translate his workload between the Pro recording environment at Snap Studios and his carefully designed home rig. Can you explain a little about how you go about juggling studio projects between your home setup and Snap Studios? What’s considered when preparing/translating mixes for home use?
When Mark Thompson secured the space it was remodelled entirely, and now houses Studio 1, with a 55‑square‑metre live room and a slightly smaller control room, as well as the much smaller Studio 2 and a few other facilities. Despite its comparatively 'comfy' dimensions, it is capable of hosting quite large recording projects, mainly due to its clever layout and the versatile interconnections between the various rooms. Interestingly, the building has a long musical pedigree. The premises were used by songwriter/producer Anthony Marshall and his firm Snap Management (hence the name of the studio) just before Thompson and Funky Junk took over the lease. But originally, in the early 20th Century, the building was home to the Boyd Piano Factory, owned by the same group as the Decca Record Company, who are said to have manufactured gramophones in Manor House at that time, quite possibly on the same premises. Recycling? I’ve been doing this with a passion for decades. I never imagined it would grown into a multinational business, though.
The Ultimate Portable Vocal Booth
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